Saturday, November 04, 2017
on the man & his work
at the University of Glasgow
Wednesday, October 25, 2017
Luke had just started at Columbia College in Chicago this month when he fell from a bridge, a 30-foot drop, breaking his leg, hip and pelvis as well as cracking his spine. He has a long, hard recovery ahead of him. He's a great, brilliant kid and strong enough to do everything he will need to do, but in the nation of capitalist healthcare with just out-of-state Medicaid, he needs all the support he can get just to make it through the basics of recovery the next few months. More details on his sister's GoFundMe page, raising funds to help him stay in school as he heels. Anything you can do will be appreciated!!
Sunday, September 03, 2017
of the Universal Declaration
of Human Rights on September 6, 2017
Poetry In Common, Peace / Works,
Leonard Gontarek and Alicia Askenase
With Poets And Writers including:
AHMAD ALMALLAH * CATHERINE BANCROFT *
CHARLES CARR * ANN DE FOREST *
VALERIE FOX * DEBORAH FRIES *
ELI GOLDBLATT * DOUGLAS GORDON *
ANGEL HOGAN * JENNIFER HOOK *
HENRY ISRAELI * RAVI LEV *
LYNN LEVIN * CASSIE MACDONALD *
KATHLEEN VOLK MILLER * DENNIS MORITZ *
ANDREW NURKIN * ARIEL RESNIKOFF *
DON RIGGS * CARLOS PEREZ SAMANO *
RON SILLIMAN * MICHELLE TARANSKY *
JOHN TIMPANE * YOLANDA WISHER *
The Event Will Include A Reading Of The 30 Articles Of The Universal Declaration Of Human Rights By The Poets And Writers, As Well As A Reading Of Their Own Work And Others.
The date is Wednesday, September 6, 2017, 4 PM.
The time is 4-6 PM.
The location is The Plateau,
a sculpture located on 40th Street in West Philadelphia,
next to the Walnut Street West Library,
which is on the Southeast corner of 40th & Walnut Streets, Philadelphia PA, USA.
The event is outdoors – and free
Saturday, July 22, 2017
with translations by Martin Richet
March 7, 2017
Monday, May 22, 2017
Thursday, March 23, 2017
e-mail to Linda Russo from Ron Silliman
Date sent: Tue, 28 Apr 1998 05:00:30 -0500 (CDT)
Subject: Re: Silliman on Kyger
On 04/27/98 20:10:48 you wrote:
>Dear Ron Silliman --
>you maybe recognize as a sometime poetix listperson --
>i've been only skimming posts lately (busy) but I was wondering if you
>could say more abt. Joanne Kyger being the most influencial progressive
>woman poet of the 60s - 70s. She's been important to me & it does seem,
>considering the scope of her work, that she *should* be important, but
>doesn't seem so considered. So i wonder if you'd be willing to tell me a
>thing or two, or maybe point me to something you've published re kyger.
Been thinking about this myself over the past few days. Kyger's not in the [Paul] Hoover [anthology Postmodern American Poetry] or the [Douglas] Messerli [anthology From The Other Side of the Century] and absent even from Moving Borders [ed. Mary Margaret Sloan], an anthology I imagine as having been premised on precisely this sort of omission (though I argued over this with Margy Sloan, who simply doesn't know the work and doesn't have the historical depth I wish she had -- she told me that she was only using writers from the late '70s onward, so I was surprised to see Niedecker, Guest and Fraser, all of whom are contemporaneous with Joanne or, in Lorine's case, even earlier).
Joanne Kyger was a student of Hugh Kenner's at UC Santa Barbara in the 1950s who moved to SF where she became the only woman to participate as an equal in the otherwise remarkably misogynist Spicer circle. She married Gary Snyder and traveled with him to Japan (and, also with Gary, to India where they traveled about with Ginsberg). Back in SF she was also best friends with John Weiners and is the Miss Kits he refers to in his Scott Street journals. She worked for awhile as a TV producer for the local PBS station (this was 35 years ago, when such a job was not impossible for somebody just roughly creative and intelligent to go get), then moved to "the Mesa" which is a hill overlooking the ocean in Bolinas (there are two other neighborhoods to that small town, a section by the road coming in, neighboring -- literally -- a lagoon that's one of the great birdwatching spots in northern California, then the downtown itself, nestled betwixt the beach, the lagoon and the Mesa. During the early 1970s, Creeley and Bobbie Louise Hawkins, Lewis and Phoebe Macadams, Larry Kearney, Peter Warshall, Bill Berkson, Bob Grenier, Richard Duerden, Tom and Angelica Clark, were all living in Bolinas, a town with a population of just 300. Phil Whalen was there for awhile also before his duties in the Zen Center became full-time.
Joanne's influence on Grenier is palpable, it really is the connection between his fascination with Creeley (he edited RC's first Selected Poems), and his own later work which is so much about how thought emerges.
Joanne has never ever been one to push her own work, but there was a time circa 1970 when every poet I knew owned a copy of The Tapestry and the Web, her first book (I have no idea where my own copy disappeared to -- I'm certain I never sold it, although it may have gone off in my divorce from my first wife back in '72). In 1975, Berkson published her second book, All This Every Day, and Kenward Elmslie I believe was behind the 3rd one, The Wonderful Focus of You, John Martin publishing Just Space (poems 1979-89) from his Black Sparrow press. There's also a chapbook that contains a poem based a local indian tale, Up My Coast and most recently a big book of her Japan and India Journals from Tombouctou. SPD would still have whatever is in print. There've been other chapbooks, I know. The National Poetry Foundation is talking about doing a big selected poems sometime in the future, although there needs to be (I hope) a book of the poetry since 1989.
The very first poetry reading I ever produced, in 1974, was a benefit for a Bay Area prison reform group. My readers were Creeley, Kyger and Dorn and in the context of SF in that year it was very much a line-up of people recognized as equals. 400 people attended.
I've written at some length about the disappearance of poets and how it reconfigures history into something unrecognizable to those present at the event. This isn't always bad -- Ferlinghetti was shocked to see that anyone was still interested in Spicer as recently as a year or two ago. But all too often it leads to this sort of erasure of a major writer.
I don't know if you know Joanne's work. It has its closest affinities, I think, with Whalen, Grenier and, though I don't know how well she knows him, Anselm Hollo (Joanne has a terrific sense of humor in her writing, which may in fact actually work against her being taken as seriously as she deserves). I know that Bobbie Louise Hawkins has wanted her to come and teach full-time at Naropa for years, but Joanne (who has no visible means of employment, though she must live on very little money) seems willing only to do the occasional workshop there.
She's one of our hidden treasures -- the poet who really links the Beats, the Spicer Circle, the Bolinas poets, the NY School and the language poets, and the only poet who can be said to do all of the above.
Friday, February 24, 2017
Sunday, March 5, 2:00 pm
Maison de la Poésie de Nantes
The unique place
Quai Ferdinand Favre, Nantes
Part of the Atlantide Festival of Literature
Tuesday, March 7, & Wednesday, March 8, 9:45 am-5:00 pm
Room 830 (8th floor of the Olympe de Gouges Building)
Université Paris 7 Denis Diderot, Bâtiment Olympe de Gouges
with translations by Martin Richet
Tuesday, March 7, 6:30 pm
Hall de la Bibliothèque des Grands Moulins,
5, rue Thomas Mann, 75013 Paris
Friday, March 10, 7:00 pm
centre international de poésie Marseille
entre de la Vieille Charité
2, rue de la Charité
13 236 Marseille Cedex 02
Double Change, the House of Poetry of Nantes
& the International Center for Poetry, Marseile